Spatial Sound
Change the room without moving the walls.
Sound environments and audiovisual experiences for places, installations and events.
What it is
An environment can be composed through sound.
Sound environments for physical spaces, installations, events, hospitality settings and artistic projects — designed for the room they are in, not exported as a playlist.
Why it exists
Most spaces are furnished carefully and then filled with whatever is playing. The room is doing half its work.
Who it is for
What you get
- Concept
- Sound architecture
- Audio assets
- System recommendations
- Installation direction
- Live or recorded elements
What happens
The frame
Investment
Project dependent
- Concept
- Sound architecture
- Assets
- System recommendations
- Installation direction
Hardware, cabling, installation labour and venue costs.
How it starts
This one starts with a conversation, not a form — but the form is the fastest way to start the conversation.
This one does not need me in the room. Timezones are the only real constraint.
Check the movementRelated work
Tags
You can book a format.
Or tell me what you are
actually trying to make.
Tell me the part
that matters.
Seven questions, none of them compulsory except the first and the last. Rough answers are more useful than polished ones.
I will look at the brief, the timing, the location and the route, and come back from studio@tigosanchez.com. Two to three days for a specific brief; one or two when scope and timing are already clear.
Meanwhile, check the movement ↗